Clear Talk with Constance Clear
KENS Radio AM 1160 San Antonio
12 January 2001
GUESTS: WHITLEY & ANNE STRIEBER
CONSTANCE CLEAR: Good evening
San Antonio. It's a cold crisp day out there; I hope everyone
is staying warm and moving fast. If you are listening in your
car you'll want to go in and turn on your radio in your house
the minute you get home; my show tonight is going to be that special.
This is Clear Talk on KENS Radio 1160, and tonight my guest is
Whitley Strieber. He's on his way into the studio now, so I'm
going to tell you about what's coming up next week and then I'll
introduce him when he arrives
oh, and here's Whitley now.
How do they get in Alan? Do they have to go back around? They're
out here. Can we open this door for them? Ok, great.
Whitley and Anne Anne came
too! I'm so excited. I don't have to tell most of you about Whitley
Strieber, he is born and raised in San Antonio, and is a world
famous author. He's written, I believe twenty books now. His first
thirteen books were fiction, and two of those were made into movies.
Hi, Whitley. Hi, Anne. Grab a mic.
Grab some headsets. It is such a privilege to have you here, I
bet you went through hell getting here through the traffic.
WHITLEY STRIEBER: Well
CONSTANCE: Whoops, wait, we've got
to get you hooked up. OK, great, now.
WHITLEY: OK, we're here, that's
the important thing.
CONSTANCE: Yay. Oh, man it was wild
out there, the traffic.
WHITLEY: Yeah, it's been intense.
CONSTANCE: Well this is such a thrill.
Not only are you a spectacular wordsmith, an incredible author,
and an amazing radio show host, but you've also become dear friends
of mine, and I am so grateful that fate or whatever it has been
has brought us together what do you suppose it has been?
WHITLEY: I don't know. We just seemed
to pop up in each other's lives a couple years ago, two or three
years ago.
CONSTANCE: Do you remember how we
met? In a limousine in Alabama?
WHITLEY: No, I think we met before
that. I think we met on an airplane.
CONSTANCE: Then we rode in the airplane,
after the limousine.
WHITLEY: That's right. We met to
on the way to a conference somewhere in the south; I don't remember
where to be honest with you.
CONSTANCE: Mobile, Alabama.
WHITLEY: OK, I believe it.
CONSTANCE: That was the first time
I saw you speak.
WHITLEY: Well, uh, good.
[laughter]
WHITLEY: I don't know what else
to say!
CONSTANCE: That's great. Anyway
it's been a pleasure, and I am so excited especially to be talking
about your new book, The Key, tonight. This is an incredible
book. It has had a very deep impact on me, so much so that I have
been talking about it a lot on the show. But now we have the real
person who can tell you how this came about, and share a little
bit with our listeners of what it contains. This is really truly
amazing.
WHITLEY: The way the book came about
was interesting. I have had a number of unusual experiences in
my life that I have written about. It started in December of 1985,
when something happened that appeared to be a close encounter
of the third kind. I've never known for certain what it was, except
that it's become quite clear after, or it became quite clear after
many months of medical tests and psychological tests and what
not, that it was not an ordinary explainable experience. What
appeared to be an encounter with aliens was something unusual.
What it was I don't know. I've never known. I wrote a book about
it called Communion, which really led up to a list of questions
about what it might have been. Interestingly enough, the book
was taken to be a book claiming alien contact and it involved
a tremendous amount of controversy. Most people who just know
about it vaguely even now assume that is what it was some
nut author complaining, claiming to have been contacted by aliens
in order to make a buck. And that is the most revolting attitude
about the book. An attitude generated by, I think, irresponsible
people in the press and maybe others who just did not want to
face the fact. And the fact that it is not really possible
to dispute it, I could easily win in a court of law is
that something happened that night that can't be explained. Period.
End of story.
CONSTANCE:: Exactly. And why is
it so hard for us to accept that there are things that we can't
explain?
WHITLEY: People hate to live with
questions. The more educated they are, the less they like questions.
As a result of which, the people who really ought to be thinking
about them don't. And that's a shame. Because this society wastes
all of its educational money and effort on people who won't think.
So why do we do it? I don't know, personally.
CONSTANCE: I think that is why our
kids are in such despair in school, because they know they are
not being challenged to open their minds. Not to follow their
heart, or their passion. They're being trained to shut up and
conform.
WHITLEY: Yeah. Close down, shut
up and do what you're told. And I'm sorry, that is not enough.
CONSTANCE: [laughs] You've been
very bad at that, haven't you?
WHITLEY: I am terrible at that!
I'm just the original bad boy.
CONSTANCE: Bad, bad, bad.
WHITLEY: I love it.
CONSTANCE: Thank God for Anne, sitting
here on your left side. Anne, I am so glad you came, thank you
for joining us.
ANNE STRIEBER: Thank you.
WHITLEY: There's somebody over there
who can keep up with me. She's just as bad, if not worse!
CONSTANCE: So what is it like to
be living with this man who has had a phenomenal impact on the
world, on many of us? I know I've talked to people all the time
who were just coming to grips with their own encounters, and most
of them awakened reading Communion. I mean say whatever
you will about the book, the book had so much truth in it that
if it resonated with your own experience it was something you
could not deny.
ANNE: Well, it's been tough. Because
the UFO world is a ghetto. There are nice people in it, there
are interesting people in it, but it is a ghetto. And I am a white
middle-class person, grew up a Protestant now I am a Catholic,
I was never ghettoized. I was always in the mainstream. Nobody
ever looked down on me, I fit right in. And so it has been strange.
It hasn't all been pleasant. I don't know if I would have changed
it if I could have, but it was too late, I was swept away. What's
the Chinese curse? May you live in interesting times.
I've lived in interesting times. I would like to have a future
a little less interesting, I think.
CONSTANCE:: You are ready for a
little respite?
ANNE: I don't know. It's hard. It's
like having a red A on you except it's a red UFO.
It's tough. You know that, though.
CONSTANCE:: You and I kind of are
exempt from perceiving these things or experiencing them, and
I keep saying look, I'll do whenever I can to get the word out
and help, just please don't show up in my bedroom.
[laughter]
CONSTANCE: Because I think it's
still so frightening, even though I like many people am fascinated
by the subject, and I am grateful to be doing the work I am doing,
but it is still frightening. And I guess that is why people tend
to discard the messenger along with the message.
WHITLEY: Right. It really makes
me mad because there is certainly something unexplained happening.
It does not take a rocket scientist to know that it is true. It
is definitely true. If you look at UFO video, if you take the
witness of millions of people who have seen them, if you take
the witness of hundreds of thousands of people who have had close
encounters, of course something is going on. Do we know how to
explain it? No we do not know. Not yet. There has never been a
serious scientific study of UFOs. You find so much videotape of
them from around the world. It would not even be very costly to
deploy a system of sky watching cameras that could not only observe
these things as they move, but count them and count their frequency,
and find where they are coming and going from. I mean at least
locally. But no one tries. No serious effort, no serious scientific
effort is made. No effort is made to apply the tools we do have
to this both psychologically and in the physical world to solve
the problem and to answer the question. Instead, we bury our heads
in the sand. But why? What are we scared of?
CONSTANCE: And some of those meanings
are revealed in your book, The Key?
WHITLEY: Well, maybe. I don't know.
I never know about my books. After I've finished one of my books
I am always in a really weird state. But I must say that if The
Key is what appears to be, and I have to be honest with you,
I think it is, then it's a very the guy who I met was important,
and what he said was important, and have had to be faced. That's
the truth of it.
Let me tell you how I met him and
what happened. (Which I probably started out to do at the beginning
of the show, but don't worry about it, it's going to be like this
the entire evening. We'll eventually get to the question, but
it will take time.)
CONSTANCE: Let's take a break right
quick, we'll just tease our listeners
WHITLEY: Ok.
CONSTANCE: You're going to have
to stay tuned to hear this incredible story, The Key. We're
with Whitley and Anne Strieber in the studio tonight. That means
you can be part of the show by calling in.
CONSTANCE: At 3 o'clock in the morning
on June 6, 1998, Whitley Strieber was awakened by somebody knocking
on his hotel room door
WHITLEY:
He thought that it
was room service. Why did he think it was room service at 3 o'clock
in the morning? I don't know. Well, my tray was still there, and
I figured
I'd been on an author tour, which means going
from bookstore to bookstore, and place to place, talking about
your book and signing books and trying to drum up excitement about
a book. At that time, it was a book called Confirmation.
So it was the last night of the last stop on the author tour,
and the next day I flew home for good, and I was really had a
pretty good mood. I was also exhausted, I went to sleep about
ten, I didn't know it was 3 o'clock in the morning when the knocking
started. So I jumped up, I thought it was the room service waiter,
I threw the door open and a guy came in very quickly walked
right into the room. It was not an alien, I hasten to add. It
was just a man. An ordinary enough looking person wearing I believe
a black, a brown, a grey turtle neck and black pants, and looked
to be in his early seventies, but trim, well put together. He
was in good physical shape. What crossed my mind at that moment
was, oh my, I have ended up opening my door to somebody who wants
to talk to me about whatever, about my book or something else,
and the fact that they're here at 3 o'clock in the morning means
this is going to be a bad conversation. I had had in the same
author tour about a month before, in a hotel in Chicago, a person
bribed their way into my room and while I was lying there watching
television stepped out of the closet to try to have a conversation
we me.
CONSTANCE: Oh my gosh.
WHITLEY: This caused an upset, to
say the least. I ended up going down to the front desk in my pajamas
I called the security, they did not answer. It was a
I've forgotten what kind of hotel it was, I won't say it was a
Hilton because I am not sure it was. Anyway, so I was really primed
for this guy and I though, boy how stupid can you be to let this
happen. He walks across the room, stands in front of the air-conditioning
unit in front of the closed curtains and starts talking. And he
talked very quickly in a sort of breathless voice. And I'll tell
you what hooked me. I asked him why are you here at this
point I'm still thinking he might be a
CONSTANCE: A waiter.
WHITLEY:
something official.
Maybe there was something wrong with the hotel, I mean maybe he
was. And he said, you are chained to the ground. and
I thought excuse me and said, excuse me? And he said, I'm
here on behalf of the good. Please give me some time. He
said it just like this, I'm here on behalf of the good please
give me some time. And he said it in such a gentle way.
He sounded like a really good man, I have to tell you that. He
sounded good. So I start a conversation with him. Why not? I mean
he certainly seemed harmless enough at least. And you never know
in this kind of work, I mean, it's hard as Annie said, because
we are all ghettoized. Half the people listening are laughing
up their sleeves at these nuts on the radio, when the truth of
the matter is we really have something solid to talk about. Something
very important. That's the reality of it. But anyway you meet
interesting people in a place like this kind of world we live
in, all kinds of unusual people.
CONSTANCE: Especially when you are
out there like you are.
WHITLEY: Yeah. Or you. I mean we
both have had the experience. I mean, this is how we met each
other after all. So, yeah, I was open to it at that point once
I realized that he wasn't going to talk my ear off about politics
or something. I was very open to it, yeah. And it turned out after
about five minutes I grabbed a pad because he was saying things
so fast and so complicated and obviously so smart, that I needed
to take notes. And I took notes, and I'm very glad I did.
CONSTANCE: Oh, absolutely that was
a divine inspiration.
WHITLEY: Wasn't anything divine
about it.
[laughter]
WHITLEY: It was just that, I mean
I thought that there was very interesting material there. The
guy was talking about some amazing things, and they were really
huge ideas. Bigger ideas than I was used to thinking about, and
I just wanted to take notes. So that is what I did. And I thought
afterwards that we had been together about 45 minutes, but it
turned out we were together for more like, oh my, probably two
hours.
CONSTANCE: So in the middle of the
night someone unexpected knocks on your door, comes in and begins
to impart to you this incredible wisdom.
WHITLEY: It is incredible wisdom
in there, yeah.
CONSTANCE: I must say I read very
few books, which is bad to admit since I am interviewing authors
and I should be reading their books but, I am very very picky.
But this book I am reading for the third time. My husband sat
down and read it cover to cover, and the other person who had
access to read it also read it cover to cover and was making trips
over to my house to be able to sit and finish reading it.
WHITLEY: A lot of people have that
reaction to it. That's good. I have gone, as Annie knows, back
and forth for years about whether or not I should even publish
it, and the reason is, what if I'm wrong about what he said? What
if I got it wrong? Or, what if it was all a dream? In fact, tell
what I, what happened the next morning.
ANNE: You called me up the next
morning and you said, remind me if I ever say that this didn't
happen, remind me I told you it did happen. I had to remind you
that many times.
WHITLEY: Yeah, because these experiences
that are on the edge, people who've never had one do not realize
what happens. What happens is after a few days you don't believe
it yourself.
CONSTANCE: Right.
WHITLEY: I knew that, and that is
why I phoned her.
CONSTANCE: Because we want so badly
for things to fit in our preconceived notions, in our categories.
WHITLEY: We want the world to fit
together the way it's supposed to. And when something comes into
your world that doesn't fit you want to get rid of it.
CONSTANCE: I remember hearing you
speak in Florida shortly after you had this experience, and you
were on fire that night. I had never seen you so passionate. You
were talking about this experience and I was anticipating that
your next book would be this experience, but that's not what happened.
WHITLEY: No, because a) I was very
uneasy about whether or not I should write it for the reasons
we just discussed, and b) this was hard. I thought while flying
home the next day that, oh my, I've got a cool book here, I am
going to write this right away, it's going to be a piece of cake,
I'm going to be back out in a year, and it's going to be really
neat and full of interesting information. The guy was so cool
and so fascinating and fun, I'm going to find out who he is and
I am coming back to meet him again and blah, blah. I had all of
this in my mind. Three years later
CONSTANCE: [laughter]
WHITLEY:
finally, a pretty
thin book is out. It's like 120 pages. 105 pages. And I think
it contains more of value than everything else I've written all
put together, frankly.
CONSTANCE: You had to wait for this
to come back in to you, for bits and pieces of it to return to
you.
WHITLEY: Yeah. It came back, not
like I expected, to sit down at the computer, at the word processor,
and just write it all up with the notes beside me and get it all
put together in a few weeks. It was real difficult. Because these
ideas are hard to think about. They are hard to think about because
they're not the kind of ideas we are used to thinking about.
CONSTANCE: My experience reading
it was so much of it you just say to yourself oh, I knew that,
oh yes. It makes sense but there were ideas in there that were
like a twist that I had never read anywhere else.
WHITLEY: Well that's right. It's
full of these sorts of twists.
CONSTANCE: Like, well, I don't know
where to start. I want to let you share what you want to share
about it.
WHITLEY: For example, he talks a
great deal about God and religion and the nature of the soul.
He talks about the amazing fact which turns out apparently
to be true that there is the possibility of verifiable
contact between the living and the dead and how that would all
work. How we can use scientific instruments that we possess now,
it's not even very difficult. It's extraordinary.
CONSTANCE: When we get back from
this news break we can get into some detail about that.
WHITLEY: That's right, we should.
CONSTANCE: Welcome back, you're
listening to Clear Talk
tonight my guests are Anne and Whitley
Strieber. We're talking about his incredible, and almost Earth
shattering (if that's not too strong an adjective) book, The
Key. This book is not available in bookstores. You can get
it by going to WhitleysWorld.Com, which is your web site.
WHITLEY: That's right.
CONSTANCE: Or you can call 1-800-898-0284.
WHITLEY: During the day. It's not
open at night.
CONSTANCE: I know that because they
also had my book, Reaching for Reality, which I always
forget to mention. So you can order both! But be sure to get The
Key. This is, we decided-we were counting-your twentieth book.
WHITLEY: Twentieth book, yeah.
CONSTANCE: And how do you feel about
this book when you compare it to the other ones that you have
written? I'm sure they're kind of like children or something,
each book.
WHITLEY: Oh yeah, well you know,
you have a love hate relationship with your books. As soon as
I opened it I found typos.
CONSTANCE: Oh no.
WHITLEY: But, um, minor typos I
might add. Because the fun part of this book was in this sense:
It's published by my own company and the cover design was by Louis
Steiner, my web master who is a good friend, and I set the type
myself. So it's a real labor of love. I wanted this really very
close to me. I couldn't see giving it to my publisher because
they would want to come back and edit it. And the man said what
he said. I can't edit it. It's uneditable. You have to just go
with what was there. And I was sure that people would not understand
some of it, they would want some of it to be changed, so I published
it myself.
CONSTANCE: What a good feeling.
That's freedom.
WHITLEY: Yeah, well you've done
that. It is freedom. It's a wonderful feeling. And also, the other
thing is, it turns out that there's whole lots of different levels
of quality of a book.
CONSTANCE: Yes.
WHITLEY: And this book like has
a four color permanently laminated cover, it is a thing of beauty,
it's meant to be like a work of art, and they're not going to
do that for you at a regular publishing house. If you want the
very best paper, and the very best bindings, and the most beautiful
possible book, well this is how you do it you do it yourself.
CONSTANCE: It's a remarkable accomplishment.
And it's easy on the eye; I like the way you laid it out.
WHITLEY: Thanks. I chose the type
and it was really fun, I mean for a writer to get involved in
this level of it is very fun. To actually be sitting there and
doing that typesetting on the computer. I mean I hasten to add
I wasn't sitting in a little room with lead type
[laughter]
WHITLEY:
I was sitting at
a computer with PageMaker. But it was as close to that experience
as you can get in modern times. It was fun.
CONSTANCE: The cover is unusual.
For people who haven't seen it, you've got to go to WhitleysWorld.Com
to see this cover.
WHITLEY: We decided as soon as we
saw the cover, which is a picture of a hand holding out a key,
offering a key, Annie said don't put any type on it at all. And
that's just what you see when you see the cover. It's a black
background with this hand holding this key. It's dramatic. I autographed
a couple thousand of them, and I'm tired of the hand holding the
key right now.
CONSTANCE: [laughter]
WHITLEY: You get to the point where,
autographing and autographing and autographing, and you think,
are we there yet? And we are not there yet. That's only the first
of eighteen boxes.
CONSTANCE: Oh jeez.
WHITLEY: It's intense.
CONSTANCE: But that's a good problem
to have
WHITLEY: Yeah, it is. And I think
the book's going to have a life of its own. The man who I called
the Master of the Key, whoever he was, was a marvelous person.
I'd like to talk a little bit about who he might have been because
it's such an interesting mystery. When I was face to face with
him, you know when you are face to face with someone like a I
am with you or with anyone in the room, I don't know the engineer
at all I don't even know your name, but I don't believe that you
could disappear from my life forever. It doesn't feel like that,
and it didn't feel like that with him because he was just a guy.
A very brilliant guy. But I couldn't find him. I called the publisher,
I mean the publicist in Toronto who had been taking me around,
I even mentioned him I believe the next day to her, and I called
some of the other people. Because you'd think a person with a
mind like that would be known. I had been on some radio programs
that were really sort of intellectual level type of programs;
it's not nearly as sensationalistic on Canadian media as it is
here in this country for the most part. So, there's an intellectual
community in Toronto, and you'd think the guy would be known to
people. A man like that, he would be a college professor or something.
Nobody.
CONSTANCE: Nobody knew anything
about him?
WHITLEY: The most interesting story,
the thing that came closest was actually from someone here in
Texas. A man who was taught a musical instrument, in fact he's
become a very proficient practitioner of this instrument and quite
famous, he was taught this by a member of the Houston symphony
orchestra back in the 60's or the 70's I believe. This man, this
musician was considered to be one of the greats in his field.
He kept very much to himself, he did not seek notoriety; no concerts
or solos or anything like that but he was considered
he
had a huge reputation in his field. He never let anyone into his
apartment. He did not like to be touched, or to touch people.
When he was touched he would generally wash his hands, if someone
shook his hand or something like that. One day this friend of
mine to his amazement was invited into the man's apartment. He
said Ok and he goes into the apartment and he finds it's filled
with bookshelves. The books were technical books on things like
radar and every UFO book ever written. Strange, in a musicians
apartment. So he sees all this stuff, he's there with the man
for awhile and he leaves. A little while later there's a fire.
The apartment is totaled. Totally gutted. One of the most unusual
of fires because the books, you know a book when it is closed
there is no oxygen between the pages so only the outside edges
will burn but not the whole book.
CONSTANCE: I've seen books like
that.
WHITLEY: It's like ashes [on the
outside], you open it and it is all still white. Not in this case.
The fire was so hot it reduced every single thing in the apartment
including the books to ashes. To ashes.
CONSTANCE: What could cause that?
WHITLEY: No one knows what caused
that but here is the strangest part. It was confined just to the
apartment. It did not burn anywhere else in the building. It did
not even burn the apartment above it. There was water damage below,
but that was it. As for the man himself, no trace of his body
was found, no bones, nothing in the apartment. He's never been
seen since. That was it.
CONSTANCE: Have you got any physical
description of this man?
WHITLEY: I'm not sure if it's really
that close. It could be close but it was hard to tell. The striking
thing about the man I remember seeing was that he was very trim
and he was not tall. He was of average height or below average
height. And my friend did not seem to remember that his teacher
was like that, so maybe it was not the same person. But that was
the closest I came. Now it's interesting that there are a couple
of people who have written in who have had experiences. One of
them even in Toronto with a man who sounds kind of similar. And
these are people who remember have not yet read the book, so they
don't know anything except what they've seen on my web site about
him.
CONSTANCE: So you may yet get more
information.
WHITLEY: That's right. There may
indeed be more information forthcoming. But you know, there are
other things. We're going to get in a little while into the most
fascinating story about the past of Canada and something practically
nobody knows. Back in the thirteenth century the Knights Templar,
which was at that time the most powerful religious organization
in Europe, immensely wealthy with an extraordinary and strange
history that I'll go into in a few minutes, were attacked by the
Papacy and the broke French king who wanted their dough. And among
other things, a massive mule train of hundreds of mules, each
one packed with treasure from the Templars left Paris on its way
to Scotland and ended up in Scotland. The surviving Templars
for most of them were killed the surviving European Templars
ended up in Scotland under the care of the Sinclair family, who
where then great lords in Scotland, and there begins a tale that
could very well lead to The Key.
CONSTANCE: We'll get to that after
this break
CONSTANCE: Welcome back. If you
are just joining us my guests tonight on Clear Talk are Whitley
and Anne Strieber. We're discussing his twentieth book, The
Key, which is a phenomenal book. I'm reading it for the third
time. You know this book not only confirms some things that I
had always known deep down but it has helped me reconcile myself
to some of the feelings I've been having; a feeling of urgency,
a feeling of something extremely important. But I'm getting ahead
of myself, because I want to get back to the story you are telling
before the break about the Knights Templar.
WHITLEY: Ok. Before we go on with
the story I want to read something from The Key. And this
relates because this is one of the statements in there that made
me think about the Knights Templar, originally.
I asked him who are you? Christ?
Or a demon yourself? He said, stop thinking this way. This
is no longer the Middle Ages. Be objective. Remember that all
of God is in everything. The whole of creation is the matter of
God. Nothing is separate from God nor can ever be. Your sense
of independence is an illusion so that you can take the journey
of discovery. So also, no matter what you may call me, I am in
God.
This is a very messianic idea, and
a very Templar idea. Now let's go back to who they were, and how
they may relate to this in an unusual way. The Knights Templar
after their leader Jacques de Molay was burned at the stake and
they were broken up in Europe ended up in Scotland under the care
and with the help of a number of different Scottish families,
primarily the Sinclair family. Henry Sinclair who was the head
of the family became one of the founders of not one of
the founders but one of the beginnings, not one of the official
founders, but one of the originators of what became, later, Scottish
Masonry. Now, he allegedly went with a group of Templars to Newfoundland.
Another group of Templars went to the Caribbean, and there is
a fascinating thing about this because you know the pirate flag
the Jolly Roger? The black flag with the skull and cross bones
on it?
CONSTANCE: Yeah.
WHITLEY: You know what that was?
That's the Templar battle flag.
CONSTANCE: Oh my.
WHITLEY: That was their battle flag
back in that time. And low and behold when the Spanish came into
the Caribbean they found that flag flying on ships small
low-to-the-water ships being run by Europeans who they assumed
to be their own people, and who may actually have been remnants
of the old Templars. But anyway, going back to Newfoundland, Henry
Sinclair built
there are ruins on Newfoundland which may
be a castle he built. Maybe and maybe not. He brought a group
of Templars and their families with him to try to find a place
for them that they could be safe. There's a little island off
the coast of Newfoundland called Oak Island. Oak Island is known
as the money pit because it contains on it the most intricate,
deep, and complicated system of man made caverns in the world.
CONSTANCE: Oooh.
WHITLEY: Somewhere down at the bottom
of this thing is a treasure of an unknown kind left by the Templars,
apparently. Even Franklin Delanor Roosevelt was interested in
Oak Island and invested in trying to find the Oak Island treasure.
He was also a very very advanced Mason and knew a lot of the deep
Masonic secrets secrets that not even 33rd degree Masons
in this country anymore are privy to. But the Masons in Canada
still have a lot of these secrets in their hands. This man who
I spoke to said some very interesting things about himself. He
said at one point, I am a Canadian but I don't have a driver's
license and I don't pay taxes. It's interesting, when I
told Canadians that, they said it would be very very hard to live
in Canada without being identified because it is a very socialist
state and you need identification in order to function. Unless
you had always been there. If his family had been there before
Canada was even Canada, it would be very possible to be like that.
In other words, maybe what we were dealing with here is a person
who was a direct descendant of Templars who came to Canada long
before it was discovered by anyone else in Europe, and who has
the ancient Templar knowledge intact. And maybe some of that is
in this book. Which is why it's so cool.
CONSTANCE: That's awesome.
WHITLEY: Yeah.
CONSTANCE: That just must be one
of the most exciting things you've
WHITLEY: Oh it's terribly exciting,
of course it is. It was so fun to work on it for that reason,
as I worked on it and realized this might be the case. This could
be the case, I can't prove it, but it's a lot of fun to think
about.
CONSTANCE: So this money pit, this
treasure trove, probably contains secrets, truths, as well as
possibly valuables.
WHITLEY: Even modern technology
and equipment cannot break the secret of the money pit. We haven't
gotten to the bottom of it even yet, and it is an amazing construction.
Is at least from the fifteenth century and may be before that.
It is an awesome feat of engineering and a very very strange thing.
We'd have trouble building it even now.
CONSTANCE: Even now. And so you
have to wonder if they didn't have a little assistance.
WHITLEY: You just don't know what
they might have known and what they might have accomplished and
what they might have been doing. You do not know. But they were
something special. Seven men went to Jerusalem after finding a
document in a church in I believe southern France. They asked
permission of the Pope the Christians at that point, after
the first crusade, they ruled Jerusalem, so they could go there-
they asked the permission of the Pope to work in the context of
the grounds of the ancient temple, of the Jerusalem temple. They
dug tunnels under the temple which are still there today. No one
knows what they found there. They were supposedly protecting travelers
along the roads in Palestine but actually they spent all their
time working there. And whatever they brought back from there
made them very quickly the wealthiest and most powerful order
of Knights in Europe. So they gained some kind of incredible knowledge.
CONSTANCE: And knowledge is power.
You know, I want to share with our listeners some of the concepts
that he was sharing with you that night, one of the most basic
of which that touched my heart was the idea that humanity is all
one.
WHITLEY: Yes, we are all one.
CONSTANCE: And that some of the
biggest problems that we face today have to do with the secrecy,
the secrets that are kept from us, and that we are drowning in
our own wealth.
WHITLEY: We're not drowning in their
own wealth, we're drowning in greed. We are like a bunch of caterpillars
and it looks like we're going to eat up the leaf before we turn
into a butterfly because we are really hurrying mighty fast. We
are beginning to have the kind of problems, energy problems in
our country that are fundamental. There's a reason that goes very
far beyond the issues of power plants being taken offline and
so forth that is causing the disastrous power outages in California.
That issue is basically there ain't enough oil and there ain't
enough gas. That's basically the problem. We are going to have
to live with those issues for the rest of our lives more than
we ever have in the past. So yeah, there's every reason to look
to a book like this or to a person like this man who has such
wonderful things to say about being human. He speaks, for example,
about the difference between a culture of blame and a culture
of compassion. As soon as you say compassion to people they say
the we can't be compassionate toward someone who has committed
a crime, he's got to be slapped down, put in jail, thrown into
prison and throw away the key. Forget him. But real compassion
looks to what a person truly needs, truly needs, and gives it
to him even if it is a hard thing. Even if it's hard. So true
compassion is not all sweetness and light. But if this was a compassionate
society in some senses everything would be the same but everything
would be so different and so much better.
CONSTANCE: We are told to love thy
neighbor as thy self, but part of the problem is we don't love
ourselves, we judge ourselves so we judge our neighbors. And when
he's saying that we are all one and that in a compassionate world
each of us would delight in giving every other person we meet
exactly what that person needs most, that makes total sense to
me.
WHITLEY: Yes. As long as we had
the courage and the intelligence to understand what other people
really need.
CONSTANCE: Right, and that would
be a problem, we've got a long way to go. He also talks about
the Holocaust and the effects that has had.
WHITLEY: Yes he does. He says some
very - that was one of the first things he said, we hadn't been
together five minutes before he said this. He said, he said something
about the most important thing in the last age and asked him what
it was. The last age meaning just until right now, just the past
say
CONSTANCE: 2,000 years.
WHITLEY:
the past 2,000 years
but the most important thing in the past 2,000 years. He said
the most important thing about the last age was the Holocaust.
And I said the Holocaust was the most important events of the
past 2,000 years? And he replied, You were meant to have
acquired the ability to leave the planet by now but you are still
trapped here. You may be irretrievably lost. This is an absolutely
fundamental importance become the earth will soon be unable to
support you. And yet you will not be able to leave. This is because
of the Holocaust. The destruction of six million may well lead
to the destruction of six billion. So it is the most important
events by far, of the age. I reacted to that with anger
immediately because I thought I did not do this. We did not do
this. We fought against it. Members of my family shed their blood
in the fields of Europe to stop this, and he's telling us that
because of that we are being punished? And so I said, why has
the Holocaust prevented us from leaving the planet? He says, The
Holocaust reduced the intelligence of the human species by killing
too many of its most intellectually competent members. It is why
you're still using jets 75 years after their invention. The understanding
of gravity is denied you because of the absence of the child of
a murdered Jewish couple. This child would have unlocked the secret
of gravity, presumably when he grew up and became a great
scientist, but he was not born. Because his parents went,
the whole species must stay.
CONSTANCE: On that note we're going
to go into our news break. Stay with us, we'll be examining more
of the truth contained within Whitley Strieber's new book, The
Key, which you can purchase by going to WhitleysWorld.Com.
CONSTANCE: Welcome to the second
hour of Clear Talk. If you are just joining us tonight, we're
having a fascinating discussion; in the studio with me tonight
are Whitley and Anne Strieber. I can't imagine there's anybody
out there who doesn't know who they are, but Whitley is the author
of 20 books. He's written thirteen fiction books and six, now
seven, nonfiction books including the book we are discussing tonight,
The Key. He's also the host of a very popular, very huge
radio show, Dreamland, which is carried Sunday nights from eight
to eleven on one of our competitor stations.
ANNE: Eight to midnight.
CONSTANCE: Eight to midnight? Four
hours, wow. Boy, that's a lot isn't it?
ANNE: It is.
CONSTANCE: And Anne, you are his
producer for that show, is that right?
ANNE: That's right, I'm sitting
there.
CONSTANCE: So you're sitting there
and you are doing a lot of the work. It's just so exciting. We
both kind of got into radio at about the same time.
WHITLEY: Yeah, we have, and it's
been fun doing it as friends, together. It's been lots of fun.
CONSTANCE: I sure appreciate it.
Whitley's been a tremendous help to me in my work with the clients
that I have seen who have had experiences with extra terrestrials.
He's encouraged me, he's given me an incredible quote for my book,
Reaching for Reality, which is, gosh, you know, I went
on Art Bell one time and the first thing they did was read your
quote, Whitley, and the guy goes, wow! I feel so lucky.
But I want to shut up and let Whitley talk because you all get
to hear me talk all the time. Now, before the break we were talking
about the impact of the Holocaust on humanity
WHITLEY: And what he said about
it. He made me mad because I did not feel responsible for this.
And I said, you are saying the catastrophe we are facing now of
too many people and no ability to leave the planet is punishment
for the Holocaust? He answers, what is happening is consequence,
not punishment. The Holocaust was triggered when economic disorder
combined among the Germans with a feeling of being trapped due
to over-population. The resulting explosion drove the German tribe
to lash out against other tribes especially the one that lived
in its midst. Unfortunately they murdered the bearers of the intellectually
strongest genes possessed by your species. Or was that also
by his species? He was very coy about that. I asked him once during
the course of the conversation, what is your name anyway? He said,
if I said Michael
I then said, an archangel
in a turtleneck? and he says, Legion, then. I said,
I think you're a perfectly ordinary person with an ordinary mother
and an ordinary name. He responded, I can imagine no greater
honor than to be called human.
CONSTANCE: Wow.
WHITLEY: He also talked constantly
over the course of the whole conversation
If there is any
single theme - it is a very Christian piece in many respects,
but if there is any single theme it is about becoming what
he called a radiant being. And he talks in many different
ways about the radiant body and what the radiant body may be,
and how to become a radiant being and what that would be like.
Now, on November 17 of 2000 I was at mass and I was reading my
missal, and one of the readings leaped out at that me. I was stunned
by what I read. And here are the verses that so shocked me. These
verses speak of the End Times. And they are:
And at that time shall Michael stand up, the great Prince which standeth for the children of the people. And there shall be a time of trouble such as was never seen since there was a nation even to that same time. And at that time thy people shall be delivered, everyone that shall be found written in the book. And many of them that sleep in the dust of the earth shall awake; some to ever lasting life and some to shame and ever lasting contempt.
And this is the part that really amazed me.
And they that shall be wise shall shine as the brightness of the firmament, and they that turn many to righteousness as the stars forever and ever.
That's Daniel XII 1 to 3.
CONSTANCE: So this is the radiance?
WHITLEY: This is the radiance that
he talked about, exactly. He even said the word, used the name
Michael.
CONSTANCE: Michael.
WHITLEY: Amazing. To me it was amazing.
Of course someone could say, oh, well, he worked it all out, he
read [the verse], he knew of Michael. If only you were a Catholic
you'd know how bad we are at reading the Bible.
[laughter]
WHITLEY: Bible study is not something
we traditionally do much of! And I really did not come to that
verse in the Bible until just within days of the book being finished.
In fact I had to actually rewrite the end of it to get that in.
CONSTANCE: That's just amazing.
We've got a caller who's got a question for you. We'll bring him
on. This is James. Welcome to Clear Talk.
JAMES (CALLER): Thank you, Constance.
Whitley, I have a question. You mentioned earlier about the Templars.
Is it possible that that gentleman may have been a member of a
brotherhood, an enlightened group? You mentioned also that his
attitude, his demeanor, was that of someone being so enlightened
that the information may have been something that has been around
for so long that people forget about it and then when it comes
back up again, or resurges, everybody thinks oh this is something
new, but it has been around for how long?
WHITLEY: Maybe forever. You know,
there's an interesting thing about these brotherhoods, or sisterhoods,
whether or not they exist: I have never found one. I have come
fairly close once or twice to such a group. For example, the Illuminati,
they existed. That was a real Masonic group or associated group.
I know a fellow who collects Masonic texts as a hobby who has
an initiation manual for the Illuminati that was written in, like,
1906. So it was quite real at one point. The Rosa Crucians were
quite real. but did they possess actual extraordinary knowledge?
did the Templars, even? I don't know. But he gave no impression
of being a member of such a group, nor did he say anything that
would imply that. And unfortunately I did not think to ask him.
I was so interested in the ideas, that the kind of where
you from? sort of stuff, or who you are
you see it
in the course of the conversation, it sort of comes in and out
when it sort of crosses my mind, that hey, he's really interesting
and I don't know who he is even yet. And I ask another question
about that and he gives another sort of subtly evasive answer
and we go on.
CONSTANCE: But you sensed in his
presence radiance about him?
WHITLEY: Oh yeah, he was really
wonderful. He was a wonderful person. You could
oh, gosh,
yes. You could feel it. I mean this guy, there were things right
at the end of the conversation, he said the words, when
you sin you hurt yourself; but more than that you are cruel to
all the rest of us. You are cruel to God. and I swear to
you when I hear those words and I remember the sound, the tone
of his voice when he said you are cruel to God, you
just
you can't imagine what it was like. He was
he
made me shrivel up inside when he said that, but also there was
a kind of joy connected with it because we are tempted by various
types of sin all the time. But you hear someone say something
like that and from then on the feeling of temptation changes.
You don't feel like you want it any more. You want to be
you come away, you want to express your goodness into the world
after you hear something like that.
CONSTANCE: I had a similar reaction
the first time I heard Dannon Brinkley speak which was actually
the same weekend I met you at that conference in Mobile. He talked
about how in your life-review you experience everything in your
life from the other person's perspective. And I thought, oh my
gosh, and since that day I have not yelled at a person on the
phone, not that I did often but sometimes I did. I haven't yelled
at another driver. I became more sensitized to the fact that if
there is that deep connection. If I'm going to experience that
later, then I'd better be careful. And then in your book I come
to find that, yes, we are all one and what you do to that other
person you are doing to yourself.
WHITLEY: I've been doing a lot more
reading of the Bible. There is now a Bible by my bedside, which
there never was before him, in my life. I found out some things
from that Bible that might lead to some answers about who he was.
CONSTANCE: Ok, and we'll be exploring
that in just a moment. You're listening to Clear Talk, stay with
us.
CONSTANCE: We are going to have
another person joining the conversation. She's been on Clear Talk
before, this is a woman who goes by the name of Kaylee when she
comes on the radio, and some of you know her. Kaylee has been
blind from birth and grew up to be a high school band director,
a feat I find utterly amazing. She plays almost every instrument
there is. She later became a massage therapist and now is a hospice
volunteer. She made an amazing discovery in the last year or so.
Kaylee, are you with us here?
KAYLEE: I think so.
CONSTANCE: You think so? Good. Say
hello to Whitley and Anne Strieber who are here in his studio.
KAYLEE: Oh, what an honor this is,
you guys. Three people who are so wonderful, and I am on the phone
with all three of them.
CONSTANCE: You are faithful listener
of Coast to Coast and Dreamland?
KAYLEE: Oh yes.
WHITLEY: Thanks.
KAYLEE: I was thinking how weird
it is to hear Whitley through the phone instead of through the
radio.
[laughter]
CONSTANCE: So just for our listeners
sake, I know you've come across a realization in the last year
and I've been dying to get you together with Whitley because you
are two of my favorite people on the planet.
KAYLEE: Oh, what a sweetheart.
WHITLEY: What was the realization?
KAYLEE: My best friend was the one
who started digging it up. I kept telling her about these dreams
I would have and different things that would happen to me that
I did not care for. And she finally said, you know I think you
ought to go look at Constance Clear's web page and read some of
that stuff, I think maybe aliens are messing with you. I was like,
oh man. So I went up there and read Constance's page and I thought,
oh no [laughs], I guess they are. I had experiences where they
would drop me, they would leave me outside instead of putting
me back where I came from. I would wake up at the grocery store
in the middle of the night, standing there at the door thinking
I would go in but of course it was locked. I thought I walked
there in my sleep, that's what I thought, but I don't.
ANNE: Well you know they usually
do not leave people where they picked them up. It is some kind
of message to them. It is almost always that way.
CONSTANCE: But poor Kaylee! I mean,
she's blind, she does not know where she is, she does not know
when it is.
KAYLEE: If you can see where you
are that is one thing, but if it is the middle of the night
I have a seeing eye dog and I was, thank goodness, dressed - I
kept thinking one of these days I am going to be naked out here.
I would just be so bewildered, asking myself did I walk here and
cross all those streets? It is just dangerous to do that to a
blind person. I finally got them to quit doing that.
ANNE: You've got to get them to
take the dog to.
CONSTANCE: They did.
ANNE: Oh, OK.
KAYLEE: They took the dog too, but
see, you've got to tell the dog what you want it to do, and you
have to know where you are before you can do that.
ANNE: Whitley took our cat, once.
WHITLEY: Yeah, I took one of the
cats. They acted like I was some kind of a nut.
ANNE: He wanted to take a camera,
but he couldn't grab the camera, but he grabbed the cat.
WHITLEY: No, I grabbed the cat,
which was right beside the camera and ended up with a cat instead
of the camera.
[laughter]
KAYLEE: Well it was a C word.
CONSTANCE: So who though you were
a nut the cat or the aliens?
WHITLEY: No, the little, the people
I was with, these people. They finally gave the cat, gave her
a shot and she totally collapsed and I'd thought they killed her.
I was really upset.
CONSTANCE: Oh my gosh.
KAYLEE: The ones I know can make
animals very ill.
WHITLEY: Well you know, this is
an interesting kind of conversation to have because we are never
sure exactly what this is about. Are they aliens? Or is there
something else that we can't begin to understand? Are they human
beings from the future? For example that would be one possibility.
All kinds of things it could be. Other dimensions. Physicists
use to say that there are many dimensions but they are so tiny
that nothing could really live in them. But now it is being thought
that that is not accurate that actually there is a very large
other dimension that completely surrounds us and it could be that
they are from another dimension, which would explain why people
have seen them walking out of their closets and stuff.
KAYLEE: Yeah, they do like closets.
WHITLEY: I knew a psychiatrist in
New York who read Communion and then sent us a letter because
she had had the experience of lying in her bed reading on the
upper west side when suddenly the closet door flew open and a
whole line of these aliens, a kind of Conga line of these cats
come dancing across the bedroom and go out through the wall. This
lady, she was an elderly Germans psychiatrist, she said [accent]
Zis happened. This is no hallucination; I know hallucinations
and what it is. This was real! And I said how do you feel
about it? She says, I am not very comfortable with zis!
[laughter]
CONSTANCE: I was telling Whitley
during the break that as a little child you use to grab them because
you were quick.
KAYLEE: Oh yes I would grab them.
WHITLEY: What did it feel like?
KAYLEE: Their skin sort of felt
like pantyhose. You could stick your fingers through it really
easy. I was not very nice to them because they would to grab me
around the neck. And I have a thing about that. I don't like things
grabbing me around the neck.
WHITLEY: Oh, how unusual! [laughter]
That makes you unique in the world.
KAYLEE: Usually I would be sitting
on the floor because they would let me play with the little babies.
But they don't like me seeing them or talk to them or anything
that you do to babies, they just want me to touch them and mess
with them. But when they would to grab my neck when I would do
something they didn't like, I started being very ugly. I would
either stick my fingers through their skin they don't bleed,
though or I would break their legs; they are really easy
to break, sort of like, let me see
not a stick, easier than
stick. Maybe a
each would make a snap sound but it was a
little bit flexible like a chicken bone.
WHITLEY: Did they get upset?
KAYLEE: No.
WHITLEY: No?
KAYLEE: No, and the next time you
would see them they would not even act like they
WHITLEY: Because I mean, do they
walk on the broken legs?
KAYLEE: They would sort of raise
up in the air a little bit and then come down, and the broken
part wouldn't be as it would be on us, it would just
and
it was really disconcerting. I thought, good grief, if you cannot
scare them that way what could you do? And I figured out that
the worst thing you could do was start screaming. They hate that.
But I broke a lot of legs just because I was so angry that they
would not let go of my neck. And the skin thing would close up
right away as soon as you took your fingers off of it. After I
made a tear in it, it would just heal right up.
WHITLEY: How did you come to these
memories or thoughts?
KAYLEE: [pause] I think it was,
when I first started to remember I would remember from now, and
that would remind me of something before that. It would go backwards
sort of like if you were reading a book backwards that you started
at the end of it. I just started remembering. It was like if you
opened a door when I said, OK, this really did happen, and that
really didn't just walk in my sleep to the grocery store at four
in the morning. When I admitted that maybe it was not just a dream
then I started remembering. And I found people that remembered
the same kind of stuff, which really was kind of cool.
WHITLEY: But you know, something
happened. You are talking to someone who has had something not
quite that, but similar happen, and a have to ask the question
always, what-what-what was it, really?
CONSTANCE: I'm going to interrupt
you right there. I want you to be thinking about that Kaylee,
and you can give us your response when we get back from this break.
CONSTANCE: I'm having a good time
tonight, I've got Whitley and Anne Strieber in the studio with
me, Alan is our engineer tonight, and we've got Kaylee on the
phone. If you've been listening, right before the break Whitley
asked Kaylee a question. Both of them have had strange unusual
unexplained experiences, and the question was what-what-what-what
are they really? Kaylee, you've had a moment to think about it
now.
KAYLEE: I can't
I think there's
definitely is a form of communication going on that does not happen
in the daytime or when I am awake, or when I am talking to what
we call regular human beings. I would say that for sure. But whatever
it is I can't really come up with a definite answer. Whether it
is
you know you wonder sometimes if it is
ah, I don't
know what it is. I can't. If somebody said I'll give you a million
dollars if you tell me what it is for sure I couldn't, because
I don't really know.
WHITLEY: Of all the experiences
I had, there was never one that was an absolutely normal every
day waking consciousness. But I do know of two cases where people
did have such three cases where people that have
such experiences.
CONSTANCE: Where they remained lucid?
WHITLEY: It was during the day.
In two cases it was during the day, the third case was at night.
But they were completely conscious and lucid when it happened.
And it's very interesting because one of the people is a good
friend of ours, Raven Dana, who is going to be on Dreamland in
a couple of weeks to talk about this. Raven was a person who wrote
us a letter back after Communion came out
ANNE: We met her on an author tour.
WHITLEY: Oh, that's right, I met
her on an author tour, yeah. And she just seemed really cool and
really well put together and smart, and had had these experiences.
Annie and I got to know her, and she used to come to our cabin
with groups of people.
ANNE: Because when she came things
happened. She's kind of a catalyst.
CONSTANCE: This was in upstate New
York?
WHITLEY: Upstate New York where
I'd had my close encounter. The one time, she was in bed and something
came in through the window. And what was interesting is the screens
were, at that cabin, were actually screwed closed. I had gone
through the whole close encounter thing and at that point there
was nothing in that cabin you could get into easily. She thought
at first it was a raccoon. And it came and sat on the foot of
the bed. We'd been trying to get the visitors to come. We'd been
going out and chanting, going out and lurking about in caves
CONSTANCE: [laughter]
WHITLEY:
and doing everything
we could possibly hope. A whole bunch of us. There was another
person in the room actually who saw this too. And we have low
light cameras set up, there was a documentary film crew there,
I mean we were really working that night. And she held out her
she heard him say what can I do to help you, or something to that
effect. Or heard it in her head. He had a smell, he smelled like
loam. She said it was like a little forest creature. He was very
small. And she said, I felt like it was an animal. I didn't
have any feeling that it was a human being and it took me a couple
of minutes to realize that what I was facing was not a raccoon,
and that it could not have come in through the window, because
on the window was a screen that you could not take out. So she
suddenly, she helped out her hand, it touched her hand and she
said it's touch was cool and very light as a feather, the fingers.
Long, thin fingers. And she said it said what can I do to help
you? Or, what would you like me to do? Or something like that.
And she said, well, you can go out and walk down that hall
which of course would have given us a beautiful picture
on the low light camera that was out there.
CONSTANCE: She was thinking.
WHITLEY: So it disappears out the
door, and she thinks it has worked. Then people in another room
get an eyeful of it, too. But here is the most telling thing.
The next morning she comes out of the room she was in, and she's
like
remember what she looked like?
ANNE: I think she felt ill, them
she?
WHITLEY: She was. Her face was all
puffy.
ANNE: Like an allergic reaction.
WHITLEY: An unbelievable allergic
reaction. Her eyes were like slits. She had an ultimate allergic
reaction. Now here's what is interesting about this. A police
officer in Brazil a couple of years ago found one of these little
creatures sitting in the road after some children had reported
this is a famous case, the Varginha case and he
got it. He stopped and he picks it up and put it in his lap and
takes it to the police station. he is there, they give it to the
military and they never see again. he gets sicker and sicker and
sicker, two weeks later he bleeds out like an Ebola virus victim.
in other words, an overwhelming allergic response and he just
completely goes to pieces. and I thought to myself, boy you know,
Raven was really at the edge there. she was really at the edge.
and that's where we actually all are - we are at the edge because
there is something very real about this, Kaylee, in the physical
world that we say we just don't know because whenever it is, it
never lets us or we can't quite get it to focus. but when it does
focus, it is just as real as you and me.
KAYLEE: I don't want one of those
things coming around me.
WHITLEY: No.
KAYLEE: I have furballs that come
in here and visit my bunnies. Their little balls that roll around
and the bunnies play with them. I don't know what they are, I
know this sounds terrible but I'm just going to go ahead and say
it.
CONSTANCE: Go for it.
KAYLEE: I kept thinking, what has
that rabbit got? What is it playing with? I mean, it wasn't playing
with something in a rude way, but just playing with something,
and there's nothing in there. So one night I just up my hand in
the cage and this little ball of fur rolled across my hand and
I said, what are you? And it said, a fur ball, and
it was gone.
CONSTANCE: [laughter]
WHITLEY: You know you are not the
only person who has reported [something like] that.
CONSTANCE: Really?
KAYLEE: Oh, good.
CONSTANCE: I knew there was a reason
why I wanted the two of you to talk.
KAYLEE: I told my best friend, I
told her she doesn't think I am crazy, I don't care what
I tell her, she's OK with that I said I love these little
things I wish I could... but now that you are telling me about
the raccoons I don't think I want to hold one. But they were so
quick to disappear.
WHITLEY: But you can't actually
see them because you're blind?
KAYLEE: No, no. But they've been
in here a lot. It just happened that I happened to stick my hand
in the rabbit cage at the right time and they were so busy playing
that they did not realize they were going to roll over my hand,
I guess. I was going to curl my hand over it to get one but it
got away. Then I was going what are you, what are you? And the
bunnies, they're real used to them whatever they are.
WHITLEY: That's fascinating.
CONSTANCE: Now Whitley, what story
had you heard about these furballs?
WHITLEY: I can only describe what
people have seen. We have cases where they will see these balls
of fuzzy light.
CONSTANCE: Oh!
WHITLEY: Fuzzy light. And the way
you are describing it, if it has a substance, it probably would
feel very much like what you felt. Or it would seem, from your
description.
KAYLEE: It wouldn't be something
you could squeeze like a ball because if you try to squeeze it,
it just disappears. If it were light, that makes sense to me that
it would not have a middle to it, it would just be a round
but if you touch it, it feels just like bunny fur.
WHITLEY: Well who knows. Who knows.
CONSTANCE: We have a couple minutes
before the break, I know you have the question for Whitley.
KAYLEE: Whitley, you know how you
hear about blind beggars? I never have been one but I'm going
to be one today. I wish you would record your book on tape so
that people who can't read print could read it. Even though we
would miss that cover.
WHITLEY: I've got to figure out
how to do that, because I've never made a book on tape myself
before.
KAYLEE: Since you publish your own
you see, usually the reason why people can't do it is because
the publisher blah blah blah. But if you published it yourself
you can decide whether
WHITLEY: Oh yeah, I could definitely
do it but the question is I've got to find a place that makes
the boxes and you know get down into the nitty gritty. It's not
magic, it turns out.
KAYLEE: Either that or make it into
an e book if that would be easier.
WHITLEY: But an ebook wouldn't help
you because it would still be on the printed page.
KAYLEE: It would be in your computer
two you could read it with your speech.
WHITLEY: Oh, you have a speech reading
program.
KAYLEE: Yeah. But don't do the kind
where you have to have Adobe acrobat or any of that, just make
it regular old ASCII text so that anybody could read it with it.
WHITLEY: Well I think I'd rather
do a tape. I want to do a tape any way, so that's what I may do.
KAYLEE: I wish you would.
WHITLEY: Yeah, I will.
CONSTANCE: Yeah, with you reading
it.
WHITLEY: I like to read anyway so
I'll
KAYLEE: Oh do you really?
WHITLEY: Oh yeah I do. I like to
read my books. Most of my books I've read myself. [Editor's note: Not true, most were read by the late
English actor Roddy McDowall.] Art Bell and I read Superstorm
together which was a lot of fun.
CONSTANCE: Oh cool, and that was
an awesome book, too. OK, we're going to take this last break.
We've got one more segment. We'll be back with the termination
ooh, that's a bad word the culmination of the conversation
with Whitley and Anne Strieber.
CONSTANCE: We're here in the studio
live with Anne and Whitley Strieber and we've got Kaylee on the
on the phone. An incredible thing has happened. Kaylee was telling
us a story that she is probably a little reluctant to share because
it sounds so bizarre, and Whitley's response was, oh yeah, he's
heard that elsewhere.
WHITLEY: But it is true. This experience,
a close encounter experience, is very very very very strange.
I was just telling Constance off the air a minute ago about a
story, a lady we actually met, a very nice lady who had the experience
of seeing a giant insect face peer into her tent on Mt. Shasta.
She had become concerned upon seeing this for any number of different
reasons, not the least of which was probably why have I
lost my gourd? And she looked out of the tent after about
a half an hour and saw these things that looked like 70 ft. tall
praying mantises. And I thought to myself when she was telling
me this story, this is it, this is the weirdest and the funniest
story I'm ever going to hear in my life. And the slate is totally
unique. She has had the funniest and scariest hallucination I've
ever heard. Now, I've got in our files at least five or six letters
from other people from other parts of the country or the world
who have had the same experience. Now what does that mean? Where
is this thing really coming from, when that kind of thing can
happen?
CONSTANCE: Let me share one with
you. This came up with Teresa, one of the contributors to my book.
She has a ring that she takes off and lays on the bedside table
at night. She woke up the next morning and this ring, a gold ring
with a diamond it, was squashed into an oval. So squashed she
could not get it on her finger. She took a to the jeweler. He
fixed it. Two weeks later it happened again. Now I thought that
was pretty bizarre. I was in my Saturday group a couple months
ago. A person who does not even know the first lady but lives
in the same vicinity waits until the end of the meeting
you could tell she was really reluctant to share this and
she said this strange thing happened. She was walking out of her
bathroom and turning down the hall when all of a sudden she felt
this excruciating pain on her finger. She looked down and saw
her ring was squished on her hand.
KAYLEE: On her hand!
CONSTANCE: She took it off. She
got it off with soap she could barely get it off. She takes
it to the jeweler and I started laughing at this point
because I am picturing the same jeweler in this small town
and two weeks later she's walking out of her bathroom and it happened
a second time. She says, you know, I'm afraid to wear that ring
any more. Whitley, have you ever heard a story like that?
WHITLEY: Of rings, in particular?
No. I don't think so.
ANNE: But Whitley, you dropped your
glasses off a boat once.
WHITLEY: Yes.
ANNE: And these were identifiable
glasses because he'd had one of the screws replaced on the fret
and it was a different type of screw that they put in.
WHITLEY: Right.
ANNE: And he dropped them off a
boat and they went down, down, down. He had to drive home in his
dark glasses at night. So we figured we would never see them again,
and then they were on his bedside table.
WHITLEY: Typical Strieber family
experience.
CONSTANCE: They thought, he's a
writer he's got to have his glasses!
ANNE: Of course you couldn't prove
this to anybody else but we knew it because we recognized them.
WHITLEY: Yes, immediately. We had
I
was bringing my we had a nice boat in those days, we used
to boat on the Hudson, it was just beautiful. And it was about
10:30 or 11 at night and I'm bringing the boat in, we get the
boat all tied up at the dock, and then I fall into the river.
ANNE: You stepped backwards, if
I remember right.
WHITLEY: Stepped off.
KAYLEE: That sounds like something
a blind person would do.
WHITLEY: That's what I became immediately
thereafter because as I sank down into the water thinking my this
is going to provide many people with lots of amusement. The first
of them is going to be Anne. Of course I come up, and I hear her
happy voice saying are you alright? and I have no
glasses.
CONSTANCE: At least he floats!
WHITLEY: So I try to go down, but
I feel the current is strong and I think oh no we're not
on the Hudson, we're on a creek near the Hudson, that flows into
the Hudson and so I get out of the water and that got to
drive home. She's not the world's most spectacular driver, so
I am trying to drive and they end up driving in the middle of
the night in dark glasses through the countryside.
ANNE: Because you had those in the
car.
WHITLEY: So those glasses were gone.
They were history, they were over. A year or two later in our
apartment in New York City, ninety miles two the south of where
the glasses were dropped into a river in the middle of the night,
I wake up one morning and they are lying on my bedside table.
CONSTANCE: Oh my gosh. So they didn't
return them immediately, they just waited to be sure you'd recognize
them.
WHITLEY: I'm sure it took them a
couple years to find the damn things, and I'm not surprised.
CONSTANCE: They were down there
looking, thinking if we can just find these glasses we can prove
it to him!
WHITLEY: But how? I remember what
I said, I said look at the screw! And Annie remembered.
ANNE: I thought it was kind of the
message, like maybe you should look more carefully.
CONSTANCE: Look more carefully,
mmm.
ANNE: We're big on metaphor.
CONSTANCE: We've got another caller.
Let's get him on quickly and then I'll give you a chance to give
us some end thoughts. Tony, welcome to Clear Talk.
TONY (CALLER): Hello Constance,
thank you for having me on. I appreciate it. This is the first
time I am talking to Whitley. Whitley, I want to congratulate
you on your newest publication and I wish you a lot of luck with
it.
WHITLEY: Well thanks.
TONY (CALLER): I listen to you frequently
and as a matter of fact I do some radio with Constance once and
while. I am very good friends with Constance, and I want to give
you a little thought I got as I was listening to you. I am a state
section director for MUFON here in San Antonio, as a matter of
fact I am the one who sends you a letter every month.
WHITLEY: Oh, sure.
TONY (CALLER): I'm getting the feeling
from the people who I speak with at our meetings, many people
who have had the abduction scenario occur in their lives that
there is a oneness coming from mankind, believe it
or not. I get the feeling that people are saying that we are one.
And this is why when who ever it was that was in your room was
speaking to you, I get the feeling that I know you felt
some anger in regard to the Holocaust, because like you said your
family spilled their blood in trying to remedy the situation over
there but I think he was just speaking of us as one; mankind,
if you get what I'm saying.
WHITLEY: Exactly. That's one of
the main themes, actually, of the conversation was this concept
of oneness. Absolutely and definitely. I'll give you an example.
The work of the demon among you is to deceive you into believing
that Christ was better than you. Christ said it: I am the son
of man. Christ is all, all are Christ. That is the sort
of thing that he spoke about and in the end of the conversation
he speaks about the destiny of humanity as being, as becoming
one. And how we are responsible, all of us, for each other. He
says every joy, every sorrow, every good, every evil, belongs
to all. All are responsible for all. All are dependent upon all.
Humanity is one.
CONSTANCE: Ooh, yeah.
TONY (CALLER): I capture that same
feeling at my monthly MUFON meeting. I am trying, as Constance
knows also, she knows me very well, I am trying to put the compassion
back into MUFON.
WHITLEY: Yeah? Good luck.
CONSTANCE: What do you mean back
into?
ANNE: They get pretty mean, sometimes.
WHITLEY: It's getting better, though.
There are a lot of cool MUFON groups around the country.
TONY (CALLER): Oh, definitely. What
I am trying to do is not keep it so analytical and so calculating.
I mean we need stats and we need research, but they are people
who need compassion, also. I'm trying to find a happy medium in
there. And that is why your book kind of ties in with the feelings
that I am getting from the MUFON group. It falls in so beautifully.
CONSTANCE: And you're doing a great
job. Thank you so much.
TONY (CALLER): Thank you Constance,
you take care. And Whitley. Anne, it was great to hear you on
the air also.
ANNE: Well thank you.
TONY (CALLER): You take care.
CONSTANCE: I want to give out this
1-800 number again because people are going to want to get ahold
of this book, The Key. It's 1-800-898-0284 or visit WhitleysWorld.Com.
I think we have about one minute left.
WHITLEY: The book incidentally is
$19.95. I chose the price; it's cheaper than most by a bit. So
anyway, we have about a minute left, I would like to leave you
with some word from the Master of the Key. I asked him, so how
are we to approach God? What is the nature of this infinite being
that resides in every grain of sand? And he said, when you
say God, you think of somebody outside of yourself. You think
as the age of worship thinks. Over the last age, the elemental
body was changed by this process of worship. It is not the same
as it was 2,000 years ago. Now the receptacle is larger. Now each
of you can contain all of the universe. That was not true then.
Now this is a species of sacred beings. But you are babies, and
so still ignorant of your powers. The last age was the age of
the external God. This is the age of God within.
CONSTANCE: Oh, this is just so profound.
I really appreciate your coming down tonight. I thank Kaylee for
being on the line with us, and James and Tony for their calls.
This is always a fun thing to do, and it has especially been special
tonight. You've got to read this book, there's a whole lot more.
We just barely scratched the surface.
WHITLEY: Thanks a lot for having
me, Connie. It's really been a pleasure. And I think I'm supposedly
the only person who actually calls you Connie. I'm sorry Constance.
CONSTANCE: I'll answer anything
to you, Whitley. Sweet dreams, San Antonio. ~
Clear Talk with Constance Clear, 12 Jan 2001
© 2001 Constance Clear
All Rights Reserved.
Reprinted by permission of Constance Clear
Transcript by BeyondCommunion.Com